“I thank you, Father, Lord of heaven and earth, that you have hidden these things from the wise and understanding and revealed them to little children; yes, Father, for such was your gracious will.” (Luke 10:21)
I have always read this, but subconsciously read Jesus to say “and revealed them to those who are not terribly wise or understanding — in fact, some thoroughly unexpected people”.
R T France thinks that, in looking for links between the story of the raising of Jairus's daughter and the healing of a bleeding woman, recourse to the detail of “12 years” is “a counsel of despair” (page 235, fn 20).
Interesting, Larry Hurtado does not agree. From page 88 of his commentary:
I've discovered a relatively new, and absolutely brilliant website for anyone involved in picking hymns for congregational use.
Visit http://www.hymnary.org
It is an online database containing an index of texts and tunes of all the hymns found in most of the major hymnals, developed by the same people behind Christian Classics Ethereal Library. Where MIDI files of tunes are available online, there is a link (so you can hear the tune). You'll get the hymn number in all the major hymnals too. You can search for tunes by name, composer or meter; you can search for hymn texts by title, by a full-text search, or by Scripture reference. Really, really useful stuff.
(It also happens to be a wonderful example of the CMS Drupal in action. There is no direct credit to Drupal on the site. I can tell that it's a Drupal site, but the fact is well-hidden by the good theming and the many custom features.)
The Church's one foundation
Is Jesus Christ, her Lord;
She is His new creation
By water and the word;
From heaven He came and sought her
To be His holy bride,
With His own blood He bought her,
And for her life He died.Elect from every nation,
Yet one o’er all the earth,
Her charter of salvation—
One Lord, one faith, one birth;
One holy name she blesses,
Partakes one holy food,
And to one hope she presses
With every grace endued.Though with a scornful wonder
Men see her sore oppressed,
By schisms rent asunder,
By heresies distressed,
Yet saints their watch are keeping,
Their cry goes up, ‘How long?’
And soon the night of weeping
Shall be the morn of song.’Mid toil, and tribulation,
And tumult of her war,
She waits the consummation
Of peace forever more;
Till with the vision glorious
Her longing eyes are blessed,
And the great church victorious
Shall be the church at rest.Yet she on earth hath union
With God the Three in One,
And mystic sweet communion
With those whose rest is won:
O happy ones and holy!
Lord, give us grace that we,
Like them, the meek and lowly,
On high may dwell with Thee.
Let the reader understand
This is the third of a series of three posts considering the story of the Gerasene demoniac in Mark 5:1-20. The first two were:
This follows on from my previous post: The Gerasene Demoniac: Prior Context.
The story of the Gerasene demoniac is followed by the integrated accounts of the raising of Jairus's daughter to life, and the healing and cleansing of the woman with a long-standing haemorrhage. These two accounts appear to be unrelated to each other, although the fact that Mark has interwoven them tells us that he sees a connection. Mark always weaves stories together for a reason.
So what is the story of the Gerasene Demoniac (Mark 5:1-20) doing in Mark's gospel?
The key, I believe, is the context.
I'm not sure how it's passed me by in the two year's it's been in existence, but I've just discovered Christian Concern for our Nation.
In the words of their About Us page:
Christian Concern for our Nation (CCFON) is an organisation that exists to serve the Church by providing information to enable Christians to stand up publicly against a tide of unchristian legal and political changes in the United Kingdom. It brings together focused legal, policy and media expertise and strategic intervention in order to secure favourable legal and political outcomes in areas of concern. In addition, the organisation acts as a rallying point for those concerned with these issues and a place where individual members of the public and organisations will be able to seek assistance and advice.
I'm sure all this is old hat to most regular readers of this blog, but I thought I'd pass it on just in case anybody else has missed them.
Mark 4:10-12 falls between the telling of the parable of the sower (Mark 4:1-9) and its explanation (Mark 4:13-20).
In these verses, Jesus explains why he used parables to teach. Parables act as a filter, because the amount gleaned varies according to whether the hearer wishes to put the teaching into practice or not. Merely listened to with disinterest, they will remain at arms length; however, the person who wishes to live out what Jesus teaches will understand them enough to do so.
The parable of the sower, whilst cautioning that the responses to the word will vary, is overall designed to encourage us to expect a good response.
I've noted before that the word for "seed" in Mark 4 is singular in verses 4, 5 and 7, but plural in verse 8. This is all the more striking when you consider that "seed" is a collective noun in Greek as much as in English, "seeds" is bad grammar. Seed may fall on the path. Seed may wither in shallow soil. Seed may be choked by weeds. But seeds will flourish.
Anyone wanting to learn how Anglican Chant works as a musical style for the Psalms could look at a couple of introductory webpages.
There is a helpful one on the BBC website at http://www.bbc.co.uk/dna/h2g2/A15716595.
There is a helpful one on Wikipedia at http://en.wikipedia.org/wiki/Anglican_chant, where I particularly like the example given - with a colour-coded musical stave that can be matched up to the text of part of the Magnificat printed in the same colours. Nice.
Steve's Jeffery charts a helpful course through the most common objections to preterism.
So, if you don't know what preterism is, or if you're unsure as to whether there's something inherently dodgy in that view known as preterism, or if you have friends who are in one of those boats, I would recommend reading his post.
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